tommas titus : Der Prozess: January 2011

14.1.11

Who don't know LaChapelle?

-Let me introduce LaChapelle-

"Andy Warhol offered him his first professional job as a photographer for Interview after meeting him at Studio 54 where LaChapelle was working at the time.[citation needed] He has also worked for Rolling Stone, Vogue, GQ, Photo and Vanity Fair throughout the years."

(photo by: LaChapelle-Amanda Lepore as Andy Warhol's Marilyn (Blue)-2007)

(photo by: LaChapelle-Lady Gaga-Photoshoot For “Fame Kills Tour”-2009)

(photo by: LaChapelle-Jesus is my homeboy-Last Supper-2003)

(photo by: LaChapelle-American Jesus-Hold me, carry me boldy-2009)

(photo by: LaChapelle-Alexander McQueen-Burning Down the House-1996)

So, you know about LaChapelle now?

LaChapelle Studio

David LaChapelle on artnet

David LaChapelle - Wikipedia, the free encyclopedia

Recognition?

-Online community of photographers-

Fotografer.net Portal Penggemar Fotografi Indonesia

photo montage by: Mahardhika Arifiansyah

(High Scores: Published in Fotografer.Net)

JPG: Your World in Pictures

photo by: Dylan George

(Photo of the week: published in Jpgmag.com

13-01-11)

OneEyeland

photo by: Clive Arrowsmith

(Pictureof the week: published in Oneeyeland.com

10-01-11)

Reisen – GEO-Reisecommunity.de

photo by: Tilmann Graner

(Recommendations of the community editorial: published in Geo-Reisecommunity.de

05-01-11)

-there will always be an online community of photographers, there is a successful publishing his work in this way and most just want recognition. how about you?...-

(Tommas Titus Kurniawan)

Eve

Eve #1

(by: Tommas Titus Kurniawan)

Eve #2

(by: Tommas Titus Kurniawan)

Eve #3

(by: Tommas Titus Kurniawan)

"leaves here is the semiology of a policy that can cover a folly, wisdom can come from anywhere."

(Tommas Titus Kurniawan)

*This series of photographs sent to the photo exhibition in Surabaya -17-12-2010-

3.1.11

Tilmans Himself

"Tilmans does not limit himself to certain themes or techniques. He presents his photographs in the most varying formats, often frameless and tacked to the wall."